It eventually peaked on the charts there at No.В 16. Shortly before the departure of band member Justin Mauriello, Zebrahead released Waste of MFZB exclusively in Japan, due to their popularity there. MFZB, released in October 2003, served as Zebrahead's fourth studio album, charting at No.В 33 on the Top Heatseekers chart and No.В 9 on the Japanese charts, earning the band's first official record certification there as gold. The band's follow-up album Playmate of the Year was released in August 2000 and charted at No.В 4 on the U.S Top Heatseekers, No.В 127 on the Billboard 200 and No.В 20 on the Japanese charts. Zebrahead formed in 1996, releasing their self-titled debut album Zebrahead (more commonly known as Yellow due to the color of the cover) through independent label Doctor Dream Records in April 1998, before getting signed to Columbia Records and releasing their mainstream debut Waste of Mind in October later that year, which charted at No.В 34 on the U.S Top Heatseekers chart, along with the single ' Get Back', which charted on the U.S Hot Modern Rock Tracks charts at No.В 32. Zebrahead's your fix.The discography of Zebrahead, an American punk rock band, currently consists of 13 studio albums, 2 compilation albums, 38 singles, 42 music videos, 4 video albums, 5 extended plays and 1 demo. Like rock that'll pump you up, make you sing and chill you out? Well, then.look no further. Underrated, underappreciated and overlooked, Zebrahead is a band with immense power, range and melody and should be recognized for their great songs that really say more than what you might think. The catchy zip-zap power of 'Rescue Me,' 'Blur,' and 'Falling Apart,' display their wall of sound, while 'Hello Tomorrow,' and 'House Is Not My Home' show off their mellower, yet uplifting style. There's also the not-quite-a-ballad, but not-quite-a-rocker 'Expectations,' which is a supreme mixture of the raps and the singing from Ali and Justin.Д®ven trying to fit in with the times, the band rampages through some two and a half minute songs that show off Ali's metal skills, with him screaming and practically busting his throat up ('Alone' & 'Type A'). But, what comes off as a bigger surprise is that these guys have a whole lotta heart, as in the ballad, 'Dear You (Far Away),' which has an acoustic guitar in it (is this the first time they've done that?!). The punk is still in there, and definitely adds a flair to the album. There are some mild differences from their previous works (but, weren't you already expecting that?), but it's mainly the fact that the band has taken a little of the funk out of their system and added a dose of heavy metal. All the songs come off a fast-paced, energized and (for the lack of a better word) catchier than f*uckin' hell! If there is one art ZH has mastered, it's the art of writing a good sing-along rock tune. Most of the songs talk of protest against authority, the difficulties of growing up and politics (and sometimes, the occasional break-up).

It's a powerful album that gives off the impression that Zebrahead is a band with a lot to say. It's not that Zebrahead is a bad band they can write the catchiest sing-along speedster tunes that any band can crank out, and who doesn't love that? But, after their fairly successful debut (that spawned the hit singles, 'Get Back' & 'The Real Me'), Zebrahead followed with an overlooked second album that gave them a novelty hit, 'Playmate Of The Year.' But, three years later, along comes 'MFZB.' Zebrahead has always been a band that has had a unique kind of blend between punk rock and rock/metal, yet they've always seemed to slip by the mainstream and only get an established cult fan following (which they named this album after).

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